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Play Publishing & Theatrical Rights Licensing of Plays and Musicals for All Audiences

Christmas On The Blue — A New Musical for Christmas

Posted on May 12, 2017 in Christmas Shows, Latest, New Releases, Premiere Musicals, Women Playwrights/Composers

Licensed by Hansen-Perry Productions to Leicester Bay Theatricals Book by Elizabeth Hansen Music and Lyrics by C. Michael Perry PERFECT FOR PROFESSIONAL, COLLEGE/UNIVERSITY, AND COMMUNITY GROUPS TO PERFORM DURING THE HOLIDAYS. Christmas Eve in 1943. The war still rages in Europe and the Pacific, as, outside of Cleveland, Ohio, WCCR, a small radio station, struggles to survive not only the worst blizzard in 100 years, but with the fact that it’s pretty near broke. “Christmas On The Blue” centers around Doris Irving, the woman who runs the station, who has not heard anything about her MIA husband, Morris, since July of 1943. Suspecting the worst, she may be forced to close the station as WCCR, a member of the “Blue Network”, (which has struggled since its separation from NBC) has lost nearly all of its advertising to stations still...

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Liberation — A Short Play

Posted on Aug 25, 2015 in Latest, New Releases, Short Plays

by J.D. Newman (Perfect for College/University, Community, High School, Middle School and TYA and other Youth Theatre Groups) Four French maidens, hiding from the occupying German army and concealing their identities from each other, capture the soldier who discovers them.  One of the young women insists on showing the soldier the stories of misfortune that brought them to their current condition. They enact their stories in metaphor, drawing on a Greek myth, a Biblical story, and the legend of a local saint.  When the German soldier reveals that the village has been liberated, he asks to be liberated by death rather than facing the shame of what his people have done to the French people.  The four maidens each are seeking a liberation of their own.   PLAY DETAILS: 4f 1m About 40 minutes 1 interior of a barn Order # 3122...

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Seigfried Idyll — A Play

Posted on Oct 1, 2014 in Classics, Plays

by Thomas F. Rogers (For performance by Professional, Community, and College/University groups.) (suggested by the stories of “The Ring of The Neibelung”) Beyond its depiction of sordid, mean spirited lives–a nevertheless needful ‘value contrast,’ as artists put it, shadow underscoring the light—the Nibelung legend forcefully portrays a redemptive aspect of human life. Siegfried’s infatuation with Hilde (Brunhilde) has been, while whole souled, also blind, as we in fact often say ‘love’ is. He even kills for it. The one character who approaches Christlike self-renunciation in others’ behalf is Gudrun, and, despite Siegfried’s truly fallen state, he learns from her example. She is in a sense his savior—like Beatrice is Dante’s and Margareta Faust’s–and his own Liebestod is a necessary ‘blood atonement’ that emulates Gudrun’s decency and virtue. It is this that makes the tale so significant in both German...

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